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Atlantic Records online In crafting the new album, Tori wanted to talk about men - how men see
women, how men see themselves, and how the view changes depending on where
you’re standing. She wanted to talk about violence and identity. So Tori, the
songwriter, turned to the words of men themselves to do it. “I’ve always found it fascinating how men say things and
how women hear them,” she says. “Words can wound and words can heal, and both
are included on the album,” says Tori. “I’ve
heard a lot of people say, ‘They’re only words; what is everybody going on
about?’ But words are powerful; words are like guns. Your fingerprints cannot
be erased from your words; you only leave the scene of the crime covered in
ink. A person has to take responsibility for their words. We as writers cannot
separate ourselves from what we create. All of these songs were created by
powerful wordsmiths, whether you agree with them or not.” The 12 songs are told through the eyes of 13 women (one song features
twins), each of whom has her own story to tell. Explains Tori: “Each woman approached me and said, ‘I have a point of
view on this song, that you may want to know, that may change how you hear its
meaning.’” To reinforce the identity and reflect the essence of each
woman, noted photographer Thomas Schenk has photographed Tori in the character
of each of these strikingly different, equally captivating personalities. The first single, Strange Little Girl - written by the Stranglers and
originally released in 1982 - will be shipped to radio in mid-August. Among the other songs on STRANGE LITTLE GIRLS is a chilling version
of Eminem’s 97’ Bonnie & Clyde. “When I
first heard the song,” says Tori, “the
scariest thing to me was the realization that people are getting into the music
and grooving along to a song about a man who is butchering his wife. So half
the world is dancing to this, oblivious, with blood on their sneakers. But when
you talk about killing your wife, you don’t get to control whom she becomes
friends with after she’s dead. She had to have a voice.” Immediately following the release of the album, Tori will embark on a major
cross-country concert tour, slated to begin in Miami on September 28th and
conclude in San Francisco on November 21st. The shows will feature Tori alone
at her keyboards - marking her first completely unaccompanied performances
since 1994. Tori Amos’s STRANGE LITTLE GIRLS is the multi-Grammy nominated
artist’s sixth solo album, following five consecutive RIAA platinum-plus
releases: the double-platinum LITTLE EARTHQUAKES (1992) and UNDER THE
PINK (1994), and the platinum BOYS FOR PELE (1996), FROM THE
CHOIRGIRL HOTEL (1998), and TO VENUS AND BACK (1999). TORI AMOS New Age (Reed) 97’ Bonnie & Clyde (Mathers/Bass/Bass) Strange Little Girl (Black/Burnel/Cornwell/Greenfield/Warmling) Enjoy The Silence (Gore) Rattlesnakes (Clark/Cole) I’m Not In Love (Stewart/Gouldman) Time (Waits) Heart Of Gold (Young) I Don’t Like Mondays (Geldof) Raining Blood (Hanneman/King) Real Men (Jackson) Happiness Is A Warm Gun (Lennon/McCartney) |